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| His sense of truth is clouded by all the money he's making. |
Clouded? The man knows good schtick. He's taking everyone and making cash by the truckload off it.
And yes, I say "everyone. Not just the most enamored of his supporters (I'm talking the ones who believe everything he says and does is infallible, and cannot be questioned. Ironically, this group is also the "newer" fans. Most of the ones I've met think he began the minute bowling for columbine was released, which makes me laugh). His detractors often don't see how any debate over his films is basically free advertising.
Moore is an industry, and he's growing.
Now I'm not saying his films arent memorable or well made. I doubt I'll ever forget "Roger & Me" (which I respect more than ANYTHING else the man has done, as with that..well..I can't blame him for making it personal. The whole thing WAS about flint after all). And "Canadian Bacon" (I could make a crack like "his only outwardly ficticious film, well, aside from all the others", but I won't) was and still is hysterical. That was well done (also...wasn't it john candy's last film, or one of them?).
Again, moore isn't a documentarian. If he was, then I suppose leni reifenshtal was as well (no I'm not calling him a nazi. Nor am I saying his films were as effective as triumph of the will, which is probably, bar none, the most effective piece of propaganda ever produced. Albeit for one of the darkest motivations we've seen in the last century). Moore is a buisnessman, and he's a very good one.
It's probably because of this rather cynical view of him, that when I hear him defame the nation, then wrap himself in the flag, it means nothing to me. The same way I don't feel anything when a PR rep touts a faulty product. When he called the Iraqi insurgents "the minutemen", I basically laughed, and mentally attempted to calculate how much MORE press he'd get from it.
He got a bit more than even I anticipated.
If you look at the history of F911, you'll see what I mean. EVERY element of it's production was done to full PR effect. When mirimax (was it mirimax? I forget, something Eisner was connected to) didn't want to release his films for monetary reasons..well..that turned from a buisness move to a "dark conspiracy" to stifle his voice.
There was even talk of him distributing it free, just so he could play up his populist facade even more. (Still doing that one Michael? Or are you going to cry foul when it's distributed as all movies are, on the internet).
But, big shock, when the marketability appeared surefire, it's released. What a shock.
That MAY (and I say may, as I could be wrong) why it's done so well with such a limited distribution. Playing up this "the film THE MAN dosen't want you to see" line has incredible resonance among people, especially his entrenched fanbase.
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| than you'll find the movie amusing, but not very informative; and if you support Bush both personally and politically, than you'll probably wish for Moore to be burned at the stake. But that's just my opinion, so don't hold me to it . |
When you hear people say "this movie will sway the undecideds" don't even listen. It won't.
Those supporting Moore will only be riled up. Those supporting the opposition will also be riled up. Those in the middle probably will not care.
Above all things, we can agree on one thing. Regardless of what you think about Moore, you have to admit he's a shrewd buisnessman. Is he doing it for pure ideology, for pure profit, or for a mixture of both? Dosen't matter, either way he's not exactly doing poorly for himself.
The man has made discourse into a cottage industry. Frankly, I think some part of him wants, if not NEEDS another Bush administration.
Because thats easy money, if he had to go after Kerry, his target demographic might faulter.
And we can't have that, right?