What better way to start the episode than with a fight, huh?
Matches the title pretty well, I think.
However, I sometime feel that the actual fight could have been a bit...umm...bigger.
Well, I guess it technically is a Big fight since there are two Bigs fighting, on the other hand.
All-in-all, an informative episode - although I would not want to be the one in charge of repairing the streets of Paradigm after this one.
I'm a bit surprised that Alan took Alex up on his offer of piloting Big Duo for the afternoon.
If the guy that I was plotting against behind his back offered
me a ride in a Big for the day, I would be veeeeeeeeery wary, indeed.
And, for a dead guy, Schwarzwald sure gets around.
It's always struck me as a bit odd how Roger reacts to the downtown traffic jam he encounters after the fight while going to look for Dorothy:
He's driving along, thinking about how he's always chasing after people that have been taken away from him, and basically feeling in a
This-Is-The-Last-Straw! mood.
Then, he comes to a stop and merely sticks his head out the window, saying nonchalantly, "I wonder what's going on", just as if he were crusing back to work after a lunch break.
Weird.
I'd have thought that he'd be laying on the horn or launching missiles out the front of the Griffon, considering the circumstances.
Once he sees Dorothy up on that roof being blown about by the breeze, however, he snaps out of it and rips off his sunglasses.
Akk.
He misquoted Dorothy's question from #9,
Beck Comes Back.
I'm glad that I didn't count on that question resurfacing later in the series like it did, only to be let down with Roger blowing the line.
Sorry, Roger, but you
are dodging the issue.
The first time I saw this episode, I wondered what kind of juicy information we were in for when Angel emerged into a TV studio.
Same with Dastun's trip into the movie theatre.
Silly boy.
Tricks are for kids; I was soooooo young and naive back then.
* * * * * * * * *
The War of Paradigm City - Divine Thunderbolts, Vera Cracks the Whip, and the Whole Damn Town's Going to Hell in a Basket
The first time around, I felt sure that I would learn so much about this story and this far-out, futuristic society called Paradigm City - especially when the giant overhead lights were revealed.
"Surely", I thought, "this has got to be the mother lode that will explain it all!"
Nope.
How the heck did Gordon get into that chair without Angel knowing about it until he cleared his throat?
Was she so deep in thought that the old buzzard was able to scuff his old feet onto that TV set and take a seat without being heard?
I can understand the concept of Gordon trying to revive memories through some manner of unorthodox experimentation.
I imagine he and his contemporaries were desperate enough to try it.
But why do the results have to be called
tomatoes?
And Vera may be a good cook and pretty handy with a whip, and all, but tomato soup just doesn't seem like the kind of hearty meal that you'd have while roughing it inside a cabin.
It's too bad that Schwarzwald didn't spend a little time steering Big Duo, even if he
is supposedly deceased.
We might have learned something valuable to go along with his
trademark bombastic ranting.
Who needs to carry a gun when you have a copy of
Metropolis in hand?