
Well, my favorite is Dorothy, and I don't feel a particular need to defend the choice. She and I have
very similar personalities. And she's a rare bird in anime: a female android that's her own person. Most start off as merely male wish fulfillment. Or whacked-out killers (R-D, anyone?) She doesn't hesitate to put her foot down and set Roger to rights when he treats her as less than an equal or a sentient being.
A few of my thoughts on some of the other characters:
Roger: Sorry to upset some of you by this but I
am a Roger girl. There's a very intriguing dichotomy in him as to what he is and what he perceives himself to be. The ep
Roger the Wanderer is a perfect example of this. I get it more and more every time I watch it. Really, how many 'perfect' cartoon heroes can have an existential breakdown right in the middle of a huge fight then come back from it even more kick-@$$ than before? He may give off the impression of being vain, aloof, and cooler-than-thou, but those who know him best (Norman/Dororthy/Dastun/Big Ear) see it for the sham it is. And when he comes to see the truth of it, too, he doesn't run from it like Angel, or go nutty like Schwartzwald, or completely ignore it like Alex. In the end he was able to embrace his existance as a Memory in a constructed world because it's still existance. He
does perform an important function in Paradigm: he Negotiates its reason for being.
Angel: Her...I have some problems with. Not because of the usual fan reasons, but because I don't think the
Big O writers designed her as a fully-realized character. She's just too derivitave at the beginning. Too Fujiko and a hundred other femme fatale characters I could name. I think they had written themselves into a corner with her so they threw together the whole 'Big Venus' subplot for her.
Dastun: There are plenty of older, wiser, more-experienced friend of the hero archetypes in anime, still Dastun is his own man and has a great dynamic with Roger. Their drink by the fireplace summed up the whole relationship: prickly but familar and respectful.
Schwartzwald: Very tiresome. I just want to hit the mute button when he goes off on one of his idiotic, babbling rants. He spouts about as much universal 'truth' as a used car salesman. Not a suitable antagonist for our noble hero. Why any Megadeus would let him in its cockpit I don't know.
Beck: So much fun! I don't see how a staff that could come up with someone as unique as Beck is also responsible for the lame Schwartzwald. Beck is them letting all their 70's/Lupin III/Tarentino wackiness out. And as much as he hates the Crow boy for being as uber-cool as he'd like to be, he also subliminally realizes the importance of Roger to their society and existance.
Alan Gabriel: Pure sociopath. Which is why I like him. What the Joker should be in the Batman world. And he
does hold utter contempt for androids, seeing them as completely inferior dolls. You might need to listen to the Japanese version to understand these points about his personality.
the whole Rosewater subplot: tiresome but necessary. Roger needs villains actually capable of opposing him. The
Big O creators have said in interviews that the Rosewaters are based on the
Godfather movies. And it shows.
Vera: intriguing in her own right but the Union subplot seems tacked on to support the 'Angel' subplot.
Norman: Norman is Alfred. What more needs to be said. But I like him anyway.
Oh, back to the idea of listening to the Japanese version. If you haven't, you should! There are a lot of differations of tone, emphasis, and plain old storytelling. The Japanese are a lot more declarative in their dialog and don't depend on sarcasm as much as Americans. Its at the point that I never listen to the English version if I can help it. When I hear English Roger Smith all I can think is 'Ugh, Spike Spiegel.'