Paris and her boyfriend, Blake, are alone at the campsite inside one of the tents. Blake leaves the tent to find out why the music stopped that they had playing on a stereo outside. Paris is pissed off that Blake keeps interrupting her every time she tries to tell him the fact that she thinks she's pregnant, and the fact that he seems to be more concerned about the music than her, so she gets into the sleeping bag, turns off the lantern, and goes to sleep.
Blake seems to be taking a long time, and in the darkness of the tent we see the shadow of someone slowly entering the tent and moving towards Paris. Paris wakes up and tries to confirm that it's her boyfriend, but after no answer she turns on the lantern, only to find that it is the killer. Horrified, she screams, and struggles to get away. She runs out of the tent and trips over something. It turns out to be her dead boyfriend who has a large knife in the back of his head, but is still alive and twitching.
Paris continues to run away, and before he follows her, the killer kicks the knife deeper into the boyfriend's neck, killing him. Paris runs briefly through the woods, and finds herself at a large warehouse/abandoned sugar mill. She hurries inside. It's very dark, but she finds her way to a small metal staircase leading up to a platform of sorts. Instead of going up the stairs, she hurries behind them to a secluded area where she hides behind some boxes. All of a sudden, all the lights in the factory turn on. Across from her, in another big box, Paris notices that there are tons of old cell phones (clearly where the killer discards the cell phones of all his victims from over the years). She tries some of them, but none of them work.
She gets up and goes back to the metal stairs she passed earlier. She rips off part of the staircase railing, which is a big metal pole with a rusted, pointy tip. She hurries up the stairs to the platform, which is like a metal grating (lots of little holes). After walking a few feet, a knife thrusts upwards and stabs up through the back of one of Paris' feet and straight into her Achilles tendon. Paris screams in agony and collapses. The killer repeatedly thrusts the knife up through various holes in the metal grating. Paris crawls backwards quickly, making sure to take the pole with her.
She hurries down another flight of stairs that leads into an area of the warehouse that is filled with old cars (again, like the cell phones, this is an area where the killer stores the cars of his victims). Paris weaves around a few cars and eventually gets inside one of the cars. She crawls into the backseat, lying on her back, and positions the sharp-edged metal pole over one of her shoulders, aimed towards the car door.
The killer slowly walks near the car, and eventually passes it. Paris thinks he's gone, but he quickly opens the car door, and tries to drag her out by her feet. Paris screams and thrusts the large, sharp-edged metal pole towards the killer, which cuts the side of his face (actually the side of his wax mask that he wears). Paris hurries out the opposite side of the car, and runs away, still limping.
She hides behind the side of another car, and gets very low to the ground to peek under the car to look for the killer's feet. She can't see his feet anywhere, so she gets on her knees and slowly peeks up through the driver's side window. The killer is right there on the other side of the car, and he has the metal pole in his hand. In a split second he hurls the pole through the passenger side window. The pole smashes through both sets of windows and lodges into Paris' forehead. The force pushes her body back a bit, and then she slumps forward. The pole keeps her body up, like she's resting her head on it, only it sticks out the back of her head.
Blood oozes out the wound on the back of her head and drips down the pole into puddles on the floor. The killer has a video camera that belonged to another character. He begins filming Paris' body, zooming in on her wounds, and the blood pouring out. He then grabs hold of the pole, and begins twisting it, getting it free from her skull, and then pulls it out through the back of her head. He rips it free of her head and she slumps to the ground. |
